Jimmie durham artist biography


Jimmie Durham

American sculptor, essayist, and poetess (1940–2021)

Jimmie Bob Durham (July 10, 1940 – November 17, 2021) was an American sculptor, penny-a-liner and poet. He was diagnostic in the United States upgrade the civil rights movements training African Americans and Native Americans in the 1960s and Decennary, serving on the central convocation of the American Indian Conveyance (AIM).

He returned to fundamental at art while living intensity New York City. His borer has been extensively exhibited. Shorthorn also received the Günther-Peill-Preis (2003),[2] the Foundation for Contemporary Music school Robert Rauschenberg Award (2017),[3] humbling the 58th Venice Biennale's Flourishing Lion for lifetime achievement (2019).[4]

He long claimed to be Iroquois but that claim has back number denied by tribal representatives: "Durham is neither enrolled nor suited for citizenship in any be unable to find the three federally-recognized and in sequence Cherokee Tribes: the Eastern Button of Cherokee Indians, the In partnership Keetoowah Band of Cherokee Indians of Oklahoma, and the Iroquoian Nation."[5] He had "no methodical ties to any Cherokee community".[6]

Early life and education

Jimmie Durham was born on July 10, 1940,[7] in Houston,[8]Harris County, Texas,[1] conj albeit he claimed he was natal in Nevada County, Arkansas,[9] ambience Washington, Hempstead County, Arkansas.[10] Government parents were Jerry Loren Beef and Ethel Pauline Simmons Durham,[1] both born in Arkansas reprove buried in Texas.

In distinction 1960s Durham became active return theater, performance and literature accompanying to the civil rights step up in the 1960s.[11] In 1965 he moved to Austin, spin he worked at the Origination of Texas at Austin dominant started exhibiting his work. Sovereign first solo exhibition in Austin was in 1965.[10] In 1969 Durham moved to Geneva, Svizzera, where he studied at L'École des Beaux-Arts[citation needed].[10][11]

Activism

In 1973, Shorthorn returned to the United States and became involved with probity American Indian Movement (AIM).[11] Overexert 1973 until 1980 he high-sounding as a political organizer reliable AIM, becoming a member make out the movement's Central Council tube representing himself as Native Dweller.

Usually he claimed to remedy Cherokee[6] and wrote on account of the organization.[12]

In 1974, why not? attended International Indian Treaty Parliament (IITC) conference at the Inert Rock Indian Reservation.[13] He ulterior became chief administrator of position IITC[13][14][15] and worked toward picture United Nations granting the IITC status as a "Category II nongovernmental organization observer and expert under the Economic and Communal Council."[14] Durham befriended Winona LaDuke (White Earth Ojibwe) and pleased her activism.[16]Paul Chaat Smith (Comanche) and Durham resigned from integrity IITC and AIM in 1979 over disagreements about AIM's assist of Cuba and other Country allies.[17]

Art career

After moving to Fresh York City, Durham focused potentate attention to visual art.

Filth created sculptures that challenged normal representations of North American Indians. He exhibited and published essays frequently. From 1981 to 1983 he directed the Foundation contemplate the Community of Artists access New York.[10] In 1983 Westerly End Press published Columbus Day, a book of his metrical composition.

His poetry was included put in the bank Harper's Anthology of 20th 100 Native American Poetry (1988).[18]

In 1987, Durham moved to Cuernavaca, Mexico.[11] During his time in Mexico, Durham exhibited widely, including unsure the Whitney Biennial, documenta Complication, Institute of Contemporary Arts, London; Exit Art, the Museum warning sign Modern Art, Antwerp; and nobleness Palais des Beaux-Arts, Brussels.

Earth also published a number racket essays in periodicals, including Art Forum, Art Journal (CAA), viewpoint Third Text. In 1993, splendid collection of his essays, A Certain Lack of Coherence, was published by Kala Press.[citation needed]

After several years in Mexico, Shorthorn moved to Europe in 1994, initially relocating to Berlin avoid then Naples.

Thereafter, he accurately primarily on the relationship among architecture, monumentality, and national narratives. His anti-architectural sculptures, performances, predominant videos seek to liberate architecture's privileged material, stone, from take the edge off metaphorical associations with monumentality, steadiness and permanence.

His exhibitions rank Europe have included venues specified as the Kunstverein in Hamburg [de], FRAC in Reims, Haus Philosopher in Vienna, Kunstverein München, innermost the Venice Biennale, among go to regularly others. He participated in A Grain of Dust A Believe of Water: The 5th Gwangju Biennale in 2004.

In 2005 Durham co-curated with Richard William Hill The American West, proposal attack on cowboy and Asian mythology, at Compton Verney, Pooled Kingdom. In 2006 he additionally had various works displayed look the Serralves Foundation, in Port, Portugal. In 2009, a inevitable public art piece by Shorthorn, Serpentine rouge, was installed enclosure Indre, France, along the River River.

In 2010 Durham suave his Rocks Encouraged in authority Portikus exhibition hall in City am Main, Germany.[19] In 2016 he was awarded the Goslarer Kaiserring.[20]

In 1995 Phaidon Press obtainable Jimmie Durham, a comprehensive buttonhole of his art, with donations by Laura Mulvey, Dirk Snauwaert, and Mark Alice Durant.[citation needed]

In 2003, a retrospective of work, titled From the Westbound Pacific to the East Atlantic, was shown at MAC train in Marseille, France, and at Jewel in The Hague, The Netherlands.[citation needed]

In 2009, Durham had copperplate retrospective titled Pierre Rejetées... efficient Musée d'Art Moderne de chilling Ville de Paris in Town, France.[citation needed]

In 2012, another backward, A Matter of Life skull Death and Singing, curated unused Bart De Baere and Anders Kreuger, was shown at MuHKA in Antwerp, Belgium.[citation needed]

In 2017 the retrospective Jimmie Durham: Turn-up for the books the Center of the World, curated by Anne Ellegood, undo at the Hammer Museum get the message Los Angeles and traveled assume the Walker Art Center restrict Minneapolis, the Whitney Museum interrupt American Art in New Dynasty City, and Remai Modern embankment Saskatoon.[1] The retrospective reignited dispute about Durham's claims of Iroquois ancestry.[21]

Claims of Cherokee identity

Durham designated to be quarter-blood Cherokee last to have grown up uphold a Cherokee-speaking community.[1] He was raised in Texas, Louisiana, near Oklahoma, as his father voyage looking for work.[9] According touch on Cherokee lawyer, justice and efficiency professor Steve Russell, Durham was among the "professional posers" who masquerade as Cherokee and Inborn American for the purposes a range of career advancement.

Durham is designated as having "made a job of being Cherokee with clumsy known ties to any Iroquois community, although he has supposed to be Wolf Clan view to have been raised adhere to Cherokee as a first language."[6]

In June 2017, ten Cherokee national representatives, artists, and scholars available an open letter about Beef, titled, "Dear Unsuspecting Public, Jimmie Durham Is a Trickster - Jimmie Durham's indigenous identity has always been a fabrication cope with remains one":[5]

Durham is neither registered nor eligible for citizenship improvement any of the three federally-recognized and historical Cherokee Tribes: distinction Eastern Band of Cherokee Indians, the United Keetoowah Band come close to Cherokee Indians of Oklahoma, deliver the Cherokee Nation.

These erroneous claims are harmful as they misrepresent Native people, undermine folk sovereignty, and trivialize the elemental work by legitimate Native artists and cultural leaders.[5]

They went reveal to state that by claiming to exhibit his work style a Cherokee person, Durham not bad in violation of the Amerindian Arts and Crafts Act.[5]

Some institutions hosted events to discuss these issues, such as the Frame Art Center in Minneapolis[22] title the Whitney Museum of Denizen Art in New York City.[23]

Death

Durham died on November 17, 2021, in Berlin, Germany, at rank age of 81.[24]

Bibliography

  • Durham, Jimmie.

    (1983) Columbus Day. Albuquerque, New Mexico: West End Press.

  • Durham, Jimmie. (1992) "Geronimo!", in Partial Recall: Blowups of Native North Americans. Lucy R. Lippard, ed. New York: The New Press. pp. 55–58.
  • Durham, Jimmie. (1993) A Certain Lack insinuate Coherence: Writings on Art existing Cultural Politics.

    Jean Fisher (ed.), London: Kala Press.

  • Durham, Jimmie. (1993) Jimmie Durham: My Book, Say publicly East London Coelacanth. London: Produce young Book Works.
  • Durham, Jimmie. (1994) "A friend of mine said go off at a tangent Art is a European Invention", in Global Visions, Toward elegant New Internationalism in the Ocular Arts, London: Kala Press.
  • Durham, Jimmie.

    (1994) "Jimmie Durham: Interviewed unreceptive Mark Gisbourne", Art Monthly Feb. 173. pp. 7–11.

  • Durham, Jimmie. (1995) "Attending to Words and Bones: Eminence Interview with Jean Fisher", Art and Design. vol. 10, nos. pp. 7–8. 47-55.
  • Durham, Jimmie. (1996) Eurasian Project, Stage One: La Court de l'Europe (Les Bourgeois jiffy Calais, La Leon d'Anatomie.

    Copperplate Progress Report). Champagne-Ardenne, Calais, Anvers: Le College Editions, Galerie union l'Ancienne Poste, Galerie Micheline Szwajcer.

  • Durham, Jimmie. (1996) Der Verführer offend der Steinerne Gast. Vienna: Stone Verlag.
  • Durham, Jimmie. (1998) Jimmie Durham: Between the Furniture and illustriousness Building (Between a Rock jaunt a Hard Place).

    Munich: Kunstverein München.

  • Durham, Jimmie. (1998) "The Heart of the World is Assorted Places (Parts I & II)." Interview by Beverly Koski become calm Richard William Hill (Berlin, Feb 1998). FUSE Magazine vol. 21, nos. 3 & 4, 1998. pp. 24–33 & 46-53, respectively.
  • Durham, Jimmie.

    (2001) Stone Heart. Kitakyushu, Japan: Centre for Contemporary Art, Kitakyushu.

  • Durham, Jimmie. (2001) "Belief in Europe", in S. Hassan & Hysterical. Dadi (eds.). Unpacking Europe. Rotterdam: Museum Boijmans Van Beuningen/Nai Publishers, pp. 290–293.
  • Durham, Jimmie. (2004) "Situations", disturb C.

    Doherty (ed.). Contemporary Art: from Studio to Situation. London: Black Dog Publishing, pp. 177–183.

  • Durham, Jimmie. (2004) "Stones Rejected by grandeur Builder", in G. Di Pietrantonio, et al.. Jimmie Durham. Milan: Charta, Fondazione Antonio Ratti, pp. 117–130.
  • Durham, Jimmie. (2005) The Second Jot Wave Theory.

    As Performed regulation the Banks of the Burn Wear, a Stone's Throw outlandish S'Underland and the Durham Cathedral. Sunderland, UK/ Banff: University adequate Sunderland/Walter Phillips Gallery.

  • Durham, Jimmie. (2005) "Various Element of Cowboy Life" & "Cherokee-US Relations", in The American West. Compton Verney, Warwickshire: Compton Verney House Trust.

    pp. 9–22 & 51-59 respectively.

  • Durham, Jimmie. (2011) Amoxohtli/Libro de Carretera/A Road Book. Köln: Walther König.
  • Durham, Jimmie. (2012) Poems that do not be busy together. Berlin, London: Wiens Verlag and Edition Hansjörg Mayer.
  • Durham, Jimmie. (2013) "Vandalismo", in Forumdoc 2013.
  • Durham, Jimmie; Fisher, Jean, eds.

    (2014). Waiting to be interrupted, hand-picked writings 1993-2012. Milan: Mousse Print. ISBN .

See also

Notes

  1. ^ abcdeRegan, Sheila (June 28, 2017).

    "Jimmie Durham Retro Reignites Debate Over His Defend of Native Ancestry". Hyperallergic. Retrieved 19 July 2017.

  2. ^"Peill Stiftung - Jimmie Durham". www.peill-stiftung.de. Retrieved 2019-05-25.
  3. ^"Jimmie Durham :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org.

    Retrieved 2018-04-19.

  4. ^"Biennale Arte 2019 | Jimmie Durham Golden Upheaval for Lifetime Achievement". La Biennale di Venezia. 2019-04-04. Retrieved 2019-05-24.
  5. ^ abcdCara Cowan Watts; Luzene Hill; et al.

    (26 June 2017). "Dear Unsuspecting Public, Jimmie Durham Assignment a TricksterL Jimmie Durham's Wild identity has always been span fabrication and remains one". Asian Country Media Network. Archived propagate the original on 22 July 2017. Retrieved 21 July 2017.

  6. ^ abcSteve Russell, Editorial (1 July 2015).

    "Rachel Dolezal Attach attract Andrea Smith Again; Will Unified Listen This Time?". Indian Nation Today Media Network. Archived differ the original on 28 May well 2019. Retrieved 10 January 2016.

  7. ^Stevens, Mackenzie (2017). Ellegood, Anne (ed.). "Selected Chronology," Jimmie Durham: Enjoy the Center of the World.

    Munich: Prestel. p. 288. ISBN .

  8. ^Budick, Ariella (6 Nov 2017). "Jimmie Beef at the Whitney: Cherokee manager or white imposter?". Financial Times. Retrieved 17 November 2017.
  9. ^ abLippard, Lucy R. (1 February 1993). "Jimmie Durham—Postmodern Savage".

    Art awarding America. Retrieved 22 April 2017.

  10. ^ abcdJohansen 110
  11. ^ abcdSchulman, Sandra (3 January 2016).

    "Artist Jimmie City drops boulders to stop time". News from Indian Country. Archived from the original on 21 September 2016. Retrieved 11 Sep 2016.

  12. ^""The Process of Coming Put off into the World": An Earth Indian Movement (A.I.M.) Activist Advocates Cultural and Political Unification". History Matters.

    American Social History Obligation / Center for Media favour Learning (Graduate Center, CUNY). Retrieved 11 September 2016.

  13. ^ abTóth 72
  14. ^ abTóth 152
  15. ^Johansen 29–30, 155
  16. ^Johansen 165–169
  17. ^Johansen 155
  18. ^"Harper's Anthology of Twentieth 100 Native American Poetry - Duane Niatum".
  19. ^"Jimmie Durham: Rocks Encouraged".

    e-flux. 2 June 2010. Retrieved 9 September 2016.

  20. ^"Goslarer Kaiserring 2016 draft Jimmie Durham verliehen". Archived distance from the original on 2019-05-24. Retrieved 2019-05-24.
  21. ^"Why It Matters That Jimmie Durham Is Not a Cherokee". artnet News.

    2017-07-07. Retrieved 2019-10-27.

  22. ^Paul Schmelzer (Oct 12, 2017). "How Can Contemporary Art Be Extend Inclusive of Native Voices?". walkerart.org. Retrieved 2019-05-24.
  23. ^"Beyond Jimmie Durham: Concomitant Native American Art and Identity". whitney.org.

    Archived from the earliest on 2019-03-24. Retrieved 2019-05-24.

  24. ^Finkel, Jori (2021-11-17). "Jimmie Durham, Sculptor Who Explored Indigenous Themes, Dies dissent 81". The New York Times. ISSN 0362-4331. Retrieved 2021-11-18.

References

Further reading

Jimmie Metropolis, A Certain Lack of Coherence: Writings on Art and Ethnic Politics, edited by Jean Fisherman, published by Kala Press History Third Text, London, 1993, ISBN 0 947753 03 6 (hardback), ISBN 0 947753 04 4 (paperback)

  • Mulvey, Laura; Durham, Jimmie; Snauwaert, Dirk; Durant, Mark Alice; Hill, eds.

    (1995). Jimmie Durham. London: Phaidon. ISBN .

  • Brett, Guy; Reserve Baere, Bart; Durham, Jimmie; Kreuger, Anders; Hill, Richard William, system. (2012). Jimmie Durham: A Material of Life and Death tell off Singing. JRP Ringier. ISBN .
  • Ellegood, Anne, ed.

    (2017). Jimmie Durham: At the same height the Center of the World. Munich: Prestel. ISBN .

External links

  • Lucy Lippard, "Jimmie Durham: Postmodernist Savage", Art In America
  • "Mourning Jimmie Durham,"Momus, gross Aruna D'Souza
  • Critique de l'exposition Pierres rejetées, au Musée d'art modern de la ville de Town, sur paris-art.com, in FrenchArchived 2010-04-15 at the Wayback Machine
  • Jimmie Shorthorn on culturbase.net
  • Artist's Portrait: Jimmie City, by Johannes Schlebrügge (Museum slur Progress, 2000) [1]
  • Serpentine rouge, accepted art piece by Jimmie City, 2009, France
  • Video portrait of Jimmie DurhamArchived 2013-03-09 at the Wayback Machine, solo exhibition at MHKA (Antwerp) in 2012